Renaissance Drama
I enjoy working on performance history and performance theory, particularly when the work is historically grounded. Beginning with Ben Jonson, I have moved on to concentrate on William Shakespeare, though I do go back to Jonson whenever I have the chance. Perhaps this interest originated with my mother who was an actress or in my own history: I began performing as a singing sunflower at the age of five.  My mother always claimed that my sister Chris and I were taken to a performance of A Midsummer Night's Dream when we were toddlers and argued bitterly afterwards about who would marry Bottom, whom we considered to be a giant stuffed toy. 
 


Fran with William Shakesbear

Author

  • Shakespeare's Speaking Properties. Lewisburg: Bucknell University Press, 1991.
  • The Curious History of "Bartholomew Fair." Lewisburg: Bucknell University Press, 1985.

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    Editor

  • Acting Funny: Comic Theory and Practice in Shakespeare's Plays. Madison, N.J.: Fairleigh Dickinson University Press, 1993. 
  • with John W. Velz. One Touch of Shakespeare: Letters of Joseph Crosby, 1875-1878. Washington, D.C.: The Folger Press, 1986. 
  • with John Velz. An Index to the Letters of Joseph Crosby to Joseph Parker Norris in Folger MS Yc 1372. Austin: privately printed, 1978. 108 pp.

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    Essays

  • "Jonson and the Gunpowder Plot," Ben Jonson Journal, 5 (1999): 249-252.
  • "The Mythical Failures of Jonson." In New Perspectives on Ben Jonson, pp. 164-72. Ed. James Hirsh. Madison, N.J.: Fairleigh Dickinson University Press, 1997. 
  • "Jonson's Drunken Escapade." Medieval and Renaissance Drama in England 6 (1993): 129- 37.
  • "Letters and Portents in Caesar and Lear." Shakespeare Yearbook 3 (1992): 87-104.
  • "Stoning the Fool." Explicator 50 (1992): 69-70.
  • "Objects in Othello." In Othello: New Perspectives, pp. 238-54. Eds. Virginia Vaughan and Kent Cartwright. Madison, N.J.: Fairleigh Dickinson University Press, 1991. 
  • "Sight and Perception in Lear: An Approach through Imagery." In Approaches to Teaching "King Lear," pp. 80-85. Ed. Robert Ray. New York: Modern Language Association, 1986. 
  • "Othello and New Comedy." Comparative Drama 20 (1986): 53-64. 
  • "Headgear in Coriolanus." Shakespeare Bulletin 4 (1986): 5-7.
  • "Volpone at Theatre in the Square."  In Tony Howard's "Census of Renaissance Drama Productions (1986)." RORD 29 (1986-87):  59-60.
  • "Hamlet in the Thirties." Theatre Survey 26 (1985): 63-79.
  • "The Alabama Shakespeare Festival." Southern Quarterly 19 (1981): 42-53.
  • "The Date of Ben Jonson's A Tale of a Tub." Renaissance Papers 1979 (1980): 49-57.
  • "Spectacle in Faustus." Cahiers Elisabethains 17 (1980): 83-84.
  • "Literary Portraits: William Dobson's Portrait of Ben Jonson." The Library Chronicle of the University of Texas at Austin n.s. 10 (1978): 55-57.
  • "A Nineteenth-Century Shakespeare Reading Club." Shakespeare Newsletter May 1977: 20. 
  • "Odessa Shakespeare Festival." Shakespeare Quarterly 28 (1977): 226-28. 
  • "Ben Jonson's Poverty." Biography 2 (1979): 260-65. 
  • "Ben Jonson's Stagecraft in Epicoene." Renaissance Drama n.s. 9 (1978): 175-92. 
  •  with John Velz. "New Information about Some Nineteenth-Century Shakespeare Editions from the Letters of Joseph Crosby." Papers of the Bibliographical Society of America 71 (1977): 279-94.
  • Many other notes and reviews.
  • Early Women Writers
    Katharina Wilson asked me to do an essay about Queen Elizabeth I in the 1980s and ever since I've been fascinated by the remarkable women who wrote before 1700. I'm reluctant to call this "recovery" work, because the implicit metaphor of "recovery" works in odd ways. ("We used to be sick, but now we've recovered"? That view seems naive. "We're recovering lost treasures!" Sorry, but lots of what women wrote is not at all rich.) Instead I prefer to call this work "feminist scholarship," and it has become one part of my career that provides great satisfaction. 

    Three smart women 


    Bathsua Makin

    Katja Wilson

    Elizabeth Tudor



     

    Author
    Bathsua Makin, Woman of Learning. Lewisburg: Bucknell University Press, 1998.

    Editor
    Educational and Vocational Books. In The Early Modern Englishwoman: A Library of Essential Works, 1500-1750. Series 2, part 4. Gen. Eds. Betty Travitsky and Patrick Cullen. Aldershot, Hants: Scolar Press, 2001.

    Essays

  • "Princess Elizabeth's Hand in The Glass of the Sinful Soul." English Manuscript Studies. Eds. Peter Beal and Margaret Ezell. 9 (September 2000): 33-48.

  •  "A Voice for Hermaphroditical Education." In This Double Voice: Gendered Writing in Early Modern England 249-269.  Eds. Elizabeth and Danielle Clarke. London: Macmillan, 2000.
  • "On the Ancient Education of Gentlewomen, or Why Do the Same Issues Keep Recurring?" Attending to Early Modern Women: Crossing Boundaries. Adele Seeff  and Betty Travitsky, editors. University of Delaware Press, forthcoming in 2000.
  • Consultant and author, "Elizabeth Tudor," Brown University Women Writers Project On-line. URL http://www.wwp.brown.edu/rwo/scm.speeches.html (1998).
  • "Lady Ann Bacon" 12; "Lady Anne Clifford" 107-108; "Elizabeth Colville [Melville]" 121-22; "Elizabeth Grymeston" 209; "Elizabeth Jocelin" 258; "Lady Grace Mildmay" 325. In British Women Writers. Eds. June and Paul Schleuter. New York: Garland Press, 1988. Second edition forthcoming from Rutgers University Press, 2000.
  • "Judith Shakespeare Reading," Shakespeare Quarterly, 47 (1996): 1-11.
  • "Early Modern Women and ‘The muses ffemall.'" In "The Muses Females Are": Martha Moulsworth and Other Women Writers of the English Renaissance, pp. 173-179.  Eds., Robert C. Evans and Anne C. Little. West Cornwall, CT: Locust Hill Press, 1995.
  • "Provenance and Propaganda as Editorial Stumbling Blocks." In New Ways of Looking at Old Texts: Papers of the Renaissance English Text Society, 1985-91, pp. 119-23. Ed. W. Speed Hill Binghamton, NY: Medieval and Renaissance Texts and Studies, 1993. 
  • "The Identity of Bathsua Makin." Biography 16 (1993): 1-17.
  • "Queen Elizabeth in Her Speeches." In Gloriana's Face: Women, Public and Private in the English Renaissance, pp. 63-78. Eds. S. P. Cerasano and Marion Wynne-Davies. London: Harvester, 1992. 
  • "Frances Brooke's Imagined Epistles." Studies on Voltaire and the Eighteenth-Century 303 (1992, ptd. 1994): 711-712.
  • "William Caxton and Christine of Pisan." In The Reception of Christine de Pizan from the Fifteenth through the Nineteenth Centuries: Visitors to the City, pp. 25-42. Ed. Glenda K. McLeod.  Lewiston, N.Y.: Mellen Press, Medieval and Renaissance Series # 9 (1991). 
  • "Bathsua Makin: Woman of Learning." In Women Writers of the Seventeenth Century, pp. 285-304. Eds. Katharina Wilson and Frank J. Warnke. Athens, Ga.: University of Georgia Press, 1989. 
  • "Elizabeth I: Queen of England." In Women Writers of the Renaissance and Reformation, pp. 522-47. Ed. Katharina Wilson. Athens, Ga.: University of Georgia Press, 1987. 
  • "New Light on Bathsua Makin." Seventeenth-Century News 45 (1986): 16. 
  • Maid, Wife, or Widow:  Renaissance Women (reader's theater script, funded by Georgia Endowment for the Humanities).  Athens Regional Library Lecture Series, October 1984; videotaped for Georgia Libraries Association, May 1984; Augusta College, October, 1985; Women's Studies Luncheon Series, November 1989.
  • Many other  notes and reviews.
  • Miscellaneous
    These are odds and ends that I like for one reason or another. The essay on Canadian drama pleases me because I was born in Canada. The various bits on light verse recall the memory of a dear friend who commissioned them, Frank Warnke. And I like the various items on translation for reasons obvious to anyone who recognizes the picture below.
  • "Prisons and Imprisonment in Canadian Drama." Journal of Canadian Fiction 19 (1977): 112-21. Reprinted 1980, 1988, 1996, 1999  as part of the instructional materials for Literature and Composition II, Open Learning Institute (University Component), British Columbia. 
  • "Burlesque" 151-52; "Clerihew" 219-20; "Comedy of Humors" 228-29; "Light Verse" 692- 93; with John Arthos, "Masque" 738-39; with Roger Fowler, "Parody" 881-83. In Princeton Encyclopedia of Poetry and Poetics. Eds. Alex Preminger, T. V. F. Brogan, Frank J. Warnke, O. B. Hardison, and Earl Miner. Princeton: Princeton University Press, 1993. 
  • "The Price of Interpreting the Frontier." Looking Forward: Proceedings of the American Translators Association (1991): 248-57. 
  • "Milton and the Pygmies." Milton Quarterly 20 (1986): 31-32. 
  • with Ben Teague. "Technical Writing and Translation." Journal of Technical Writing and Communication 12 (1982): 93-102. 
  • "Translating Computer Documents." American Translators Association Chronicle 9 (1982): 11-12.  Reprinted in American Translators  Association Chronicle (1985).
  • "A Nineteenth-Century Free-Lance Translator." Babel: Revue Internationale de la Traduction 22 (1977): 167-68. 

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    Ben Teague, my favorite translator